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It was a story of two collections. On the one hand there was sculptural tailoring, lush knitting clothes and clothing for movement. On the other hand, corsets, black lace and tight bra tops, not completely with the modern period.
Ermanno Daelli loves to dress women and “increase” femininity. “I couldn’t imagine doing something else,” said the designer when he greeted one of his early and favorite models, Natalia Vodianova, behind the stage.
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He described the collection as a piece between masculine and feminine with many classic fabrics – check, fishing burr and houndstooth – in addition to Schearling and leather.
So much of it was the right thing, from the hourglass jackets to short clothes to the pantsuits with long layers in gray or powdery yellow, to the series of leather and grinding jackets.
Knitting paths were also strong and came in the form of ribbed sweater jackets with fluffy collars, sluggish sweaters with lacing on the sides and the cocoon, cable knitted sleeves on a long, dark blue coat.
There was even a long, cozy, looking white knitting dress that was supposed to give après-ski fashion a new meaning.
Evening theory was just as easy. The designer combined a sheer flutter-like dress and a black velvet mini dress with flat Mary Jans and overlay sweater jackets over long, decorated clothes.
There were also many corsets in between.
One was pinky and layered under an elegant gray suit. Another was knitted with a zipper at the back, while another was made of leather. At some point the corsets made the small bra top made of wool fabric that were made with black lace.
Daelli loves a corset and often uses the shape to underpin his more gossaming clothes and tailor -made suits. But the complete Corset-as-Top makes these collections look outside the touch, caught in a Sophia Loren film from the 1950s, a GUess display from the 1990s or a Halloween costume catalog. Sexy witch, someone?
This designer knows exactly what women want and need in their wardrobes, and he delivers his season after the season. With gene z practically bra- and older generations that hug the suspension shapewear, it is time for Daelli to become real, to shift your gaze and to deliver the kind of clothing that really enables women.
Start gallery: Ermanno Scervino Herbst 2025 Ready-to-Wear collection
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